103 Royalty-Free Audio Tracks for "E Chords"

Effect guitar.

Simple loop i made using the bellsinger from roland mt 32 sounds. I used notes from the e minor chord [cc zero].

Eb major triad, MIDI file

Four bars guitar composition in e major in sibelius. Arpeggio. Chords progression i - iv - v - i.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

A riff i wrote using logic pro x. Feel free to use for a song. (but credit me if you don't mind. )chords are g#, d#, fm7, gm7. 120 bpm.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

A power chord recorded with an ibanez, processed through guitar rig and some other guitar amps, and time-streched with paulstretch. Two recordings used for stereo. I also added some reverse reverb.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

G major scale note g a b c d e f g.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.

Spanish musical motif with classical guitar (nylon strings).

Chords in e minor played on two virtual cinematic pads in music maker. Sounds good with drum and bass loops at 80bpm.

Low gain but mushy and nasty type of tone. Simple riff but with the nasty overtones, think of it as ac/dc if they forgot to tune.

Nasty type of tones, think bad garage rock. But a simple type of riff which could be used for a beginning or break segment if shorten.

From high to low the notes are e, f#, d#, b, f#. Has a nice suspended sound. Slice it up and turn it into a pad.

Super useful electronic chords. The omnichord is a true classic. The only catch is you have to chop them yourself. I just load them into a beat slicer and go to town :). Also sounds amazing with distortion!.

Street pop tunez delivers an amped bass on the electric side for your library. Works in all daws.

Una guitarra acústica tocando las notas mi y la. Grabada con una zoom h6. An acoustic guitar playing the e and a notes. Recorded with a zoom h6.

Just some random, bad and sloppy shredding type of playing. Lots of fast notes and some heavy power chords. Call it the lead guitar player having a bad day.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Simple guitar strum pattern, 4/4 time, on a fender stratocaster, clean with light chorus - pack contains each of twelve chords (e - d#) played in both major and minor.

Little piano melody i made for a track. Has echo which is bitcrushed, and some "izotope vinyl" plugin slapped ontop of it. 115 bpm and f minor harmonic. Enjoy!. Btw always curious about what you make from this, feel free to link your creations :).

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Sort of a riff but sort of an assortment of noises/harmonics and vibrato/tremolo effects. Chop it up and serve hot or cold, your choice.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Mono-e-guitar-track amp-everything-at-11 boss-metalzone-60%gain metal-loop-dirty-noisegates-off i-cleaned-it-up-!boring! so-i-took-all-noisegates-off-for-a-more-authentic-sound.

Played in e minor extended chords. This is my first upload to the album soundscapes. I hope there is any interest in these kind of soundscapey audio. Greetings. Daan duister.

A bowed banjo from my "not so exotic instruments" sample pack. It's born to be used with your compositions, and with fl studio. Use with care! bowed with a violin bow. Makes me think of kitties with peppermint claws. ;)use for background chords and drones.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

4-22A (sus2 chord) tetrachord on C: [0,2,4,7] = C,D,E,G

A mix of two synth voices using the chord c add 9 sharp 5 to emphasize its impact.

Literally just me playing the first half of a scale on the low e chord and then reversed but it sounds cool.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.

Song "Good morning to all", the basis for the song "Happy Birthday to You". Software 使用ソフト 超録 http://pino.to/choroku/ - for recording 録音用 Audacity http://audacity.sourceforge.net/ - edit & export ogg file 編集とoggファイルの書き出し用 chord コード進行 A -> E -> E -> A A/C# -> DM7 -> Bm7/E -> A

Made in a program called garageband, an ensemble singing the "aa" vowel in an e major chord at a low velocity and lots of reverb and ambience. Intended to notify me or you of a voice mail. Free to use in any video, project, music, etc.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

This is an original copy, paste, and mix, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

This is a chord progression from rachmaninoff's elegie in eflat minor played on music maker's virtual cinematic synth. Starts with a bang and swells. Attention-getting, has the sound of brass.

Left over piano/melody loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.